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news & features
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WGA, ATA talks to resume
The Writers Guild of America and the US Association of Talent Agencies have agreed to reopen talks over their current dispute following a request by the co-president of United Talent Agency.
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France 4 closure 'could be delayed'
French public broadcaster France Télévisions is considering pushing back the date it is set to close France 4, its channel dedicated to children's and family programming.
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Epix – US
SCHEDULE WATCH PROFILE: US pay network Epix’s growing cinematic scripted drama is wide open to more projects, with an eye on international content partnerships.
FEATURES
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Notes on streamers
Is the ‘hands off’ reputation of US streamers justified? Nico Franks reports from C21's Content LA and hears from execs and creatives about the impact this can have on the final product.
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Emerging mirth
Execs behind Canadian comedy hits such as Letterkenny and Corner Gas suggest the Great White North now produces more than just moose jokes.
Flicker hires DSP's Nicholls for factual push
Gunpowder & Sky adds MTV alum
Netflix discovers Dino Girl in Japan
Studios shop int'l content in LA
Nelvana names development exec
Brooklyn Nine-Nine adapted in Canada
Joel Edgerton adapts Dalton novel
ITV rebrands Shiver as MultiStory Media
A&E to air Fawcett, JFK Jr biographies
CBS strikes content deal with Amedia
Fairy Friends take off with Little Airplane
Janson captures Flying Animals
Nat Geo ventures into Predator Land
France TV introduced to Claude
Paramount Net hires unscripted head
REinvent brings in DR exec for sales
Tiger Woods drama teed up at Wheelhouse
HBO Europe orders Spanish comedy
Long Story transforms Jekyll and Hyde
GRB Studios adds Discovery alum
more...
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perspective
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Trouble in Tinseltown
By Nico FranksThe C21 senior reporter looks at the role of the streaming giants in the increasingly bitter dispute between the ATA and the WGA.
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Canada must find global remedies Jamie Brown
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Having a real impact Lisa Caruso
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Tuning into influencer TV Rian Bester
Reports and analysis
Direct approach
International buyers are expecting their relationships with US studios to change as the D2C strategies of the media giants that own them mature.
Read this report article
The US is seeing huge structural change as SVoD prompts consolidation, revised content licensing agreements and new relationships between writers and agents.
Preview the full report
The format industry is changing fast, as new buyers make an impact, innovative business models are embraced and ideas come from all four corners of the globe.
Preview the full report
Unscripted has been reinvigorated by SVoD with new opportunities and challenges abounding for factual-focused broadcasters, producers and distributors.
Preview the full report
