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Context

A deep dive into the people, programmes and  issues defining the global content business.

Define your future in The New Content Economy with C21’s unrivalled news & analysis. For more info CLICK HERE.

FEATURES

Boat Rocker’s Gia DeLaney looks at kids’ content trends in 2025

In search of superbrands with Banijay’s Lucas Green

Keith Scholey on Silverback’s call to eco action

Dramanation’s Nebout looks ahead to a year of disruption

WBD's Sean Henry on the year ahead for kids’ content

Format execs on what to expect from 2025

YouTube, AI dominate factual execs’ new year predictions

New year, new priorities, trends and challenges – pt 2

New year, new priorities, trends and challenges – pt 1

CBC/Radio-Canada’s Catherine Tait bids adieu after six whirlwind years 

Kathleen Finch, WBD and cable TV are entering new chapters 

Germany’s TV and film industries face rising challenges and a need to reform

A look into 2025 with Trustbridge Entertainment's Bob Higgins

What makes The Real Housewives reality TV's superheroes

Congress puts future of factual in the spotlight

Edutainment takes Banijay on a learning curve

The battle for originality in an infinite IP world

Old and new meet at Content London as industry weighs AI’s threats and opportunities

Banijay’s Steve Matthews: it’s time to get creative

Shortlisted formats pitch in at Content London

Spoilt for choice at the Content London Drama Series Pitch

A transatlantic meeting of minds for unscripted

Why investing in content remains a streaming priority

Sweet streams: Jam Media is awake to preschoolers' needs

True crime and the importance of duty of care

BBCS embraces YouTube and TikTok, seeks original IP

Cartoon Business searches for next year’s model

Spain's unscripted sector battles outside influences

Europe's lurch to right puts pubcasters in peril

Streamers see more growth to come in booming Brazil

The revolution is not being televised

How TalentWorks keeps BBC Studios ahead of the game

After Party Studios looks to embrace traditional media

Secuoya Studios remains rooted in creativity

Elysium Studios' Lucy Markovich on transforming storytelling

Karl Warner on how digital-first strategies can futureproof prodcos

Can shortform storytelling capture Hollywood?

How French animation is weathering the storm

How FRAPA brought order to formats chaos

Mipcom 2024: positives in a changing content economy

Taiwan's festival of partnership gets ready to kick off

Netflix commits to ANZ, launches Territory globally

Skyship keeps it Super Simple

The great Cannes catch-up

Hunting new business models along La Croisette

International industry heavyweights join the TCCF line-up

A new chapter opens for Spanish IP

MipJunior faces up to YouTube and the dawn of AI

Cathy Payne on her IFA Gold Award win and the future of formats

Making YouTube work for you

Will AI lead to the extinction of natural history filmmaking?

Define your future in The New Content Economy

Show stoppers to watch out for at Mipcom

Ampere offers glimmer of hope for Europe's original scripted market

Top kids’ picks for Cannes

ABC chair Kim Williams: decline in news standards threatens democracy

TCCF fast becoming a platform for global collaboration

Taking the lead in the protection of public service media

Que Sera, Sera in Cannes: a Mipcom lowdown

Evan Shapiro: bypass Netflix and find your own audience

Redefining family content for the multi-screen generation

Roblox and the impact of social gaming on children's content

Can lifestyle channel reboot lay foundation for a Corus turnaround?  

Carrying the torch for format reinvention

Stop, collaborate and listen: weathering the storm through coproduction

In a Hari to board YouTube

Pact’s McVay offers practical solutions to UK industry decline

Mercury Filmworks on rising to the kids’ IP challenge

Fulfilling Africa's formats potential

Nigeria's Showmax spotlights fashion, social media and royalty

How Africa embraced The Real Housewives

Amadasun: Netflix is here for the long haul

What global interest might mean for Africa

Future Shack's Wachtel keeps an eye on the blue skies

Could SA become the new formats hotspot?

A look inside La Cabane

Philiso highlights Africa's growing influence on global content

Aby Media eyes the various Africas

Bringing African animation home

What will the WBD rights shift mean for Canadian unscripted?

A Côte Ouest of many colours

Live-action children's content with global appeal is not a lost art

Lat Am is poised for its Money Heist moment

How Edinburgh was overpowered by YouTube

UK prodco bosses answer the £1bn question

Have obs docs had their day?

BBC Children’s & Education: Why do we care?

Creating a games changer for natural history

Influencers imbue travel with a new spirit of adventure

Standing up for children’s TV in the UK

Docs that do justice to the facts

This is Africa’s time to tell the stories

Spider-Man vs the Justice League in the battle for Formatland

Building an Icon two years in

Joyrider changes course to avoid bumpy roads in CEE

Why is LA’s unscripted production volume cratering?

Rob Doherty on keeping kids' content relevant

Factual needs to grow out of this cycle of repetition

How Banijay Kids & Family is bucking the commissioning downturn

Time to face up to the YouTube threat, CMC attendees told