Recent reforms to Hawaii’s film and TV tax credits system aim to attract bigger overseas productions and revive the fortunes of an industry that slumped last year, while fostering exportable homegrown originals. 

AI 'actress' Tilly Norwood has echoed her creator's comment that getting TV professionals to admit they're using the technology is like expecting them to confess to a sexually transmitted disease.

The Czech Republic is reopening applications for its production incentive scheme from September 1 – and with series such as Blade Runner 2099 and The Age of Innocence coming up, its international credentials are rising.

Warner Bros Discovery relaunched TLC as a free-to-air network in the UK in January, led by sitcom The Big Bang Theory and a growing slate of originals, including a revival of Mock the Week. It's now going further with Top Trumps and other new shows, as senior exec Graham Lafferty explains.

Following the first part of our focus on S4C, content chief Llion Iwan says the Welsh pubcaster is seeking to broaden its global impact via feature films, international coproductions, digital-first commissioning and exportable entertainment formats.

With broadcasters and streamers increasingly cautious about backing new entertainment formats, Dutch producer Signal.Stream has won commissions after testing ideas on YouTube first. Co-founder Wouter van der Pauw shares its development processes.

The Greek film and TV incentives scheme has been through epic changes over the past few years, but as Christopher Nolan’s The Odyssey prepares to slay the box office, the country has initiated a five-year audiovisual investment plan.

Jasper Hoogendoorn, chief creative officer at Talpa Studios and one of the masterminds behind IDTV’s globe-trotting hit The Traitors, discusses the impact of YouTube and AI on the format industry, and the biggest opportunities facing format creators.

After Christopher Nolan's Tenet put Estonia on the map as a location for major international productions, Paramount+ drama series The Agency has returned to the country for its second season, just as the local cash rebate increases.

LA SCREENINGS: As linear TV’s fortunes continue to dip, so its share of the ad market follows, while YouTube and social video remain the biggest beneficiaries. C21 investigates how the US studios continue to recalibrate and make their case, as the upfronts this week revealed.