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  • S4C set for $4m digital spending boost (Published in News) 20-04-2018
    Welsh pubcaster S4C has committed to spending an additional £3m (US$4.2m) over the next three years to develop the channel's digital strategy.
  • Mattel hands Kreiz CEO role (Published in News) 20-04-2018
    US toy giant Mattel has named former Maker Studios and Endemol Group boss Ynon Kreiz as its CEO following Margo Georgiadis's decision to step down.
  • Int’l nets to put on Eccho’s Stiletto (Published in News) 20-04-2018
    Broadcasters in Romania, Israel and Greece have acquired the Turkish drama Stiletto Vendetta from Scandinavian distributor Eccho Rights.
  • Discovery names Travel Channel GM (Published in News) 20-04-2018
    Discovery in the US has expanded the role of one of its veteran television executives to include responsibility for the recently acquired Travel Channel.
  • Fulwell 73 hires Whizz Kid’s Roseman (Published in News) 19-04-2018
    The Late Late Show with James Corden's producer Fulwell 73 has appointed the creator of Whizz Kid Entertainment format Ex on the Beach as its UK head of development.
  • BBC3 alum travels to Second Star (Published in News) 19-04-2018
    The former executive producer of in-house productions at BBC3 in the UK has joined Objective Media Group's factual entertainment label Second Star.
  • Shaw Rocket, Pitt smash charity goal (Published in News) 19-04-2018
    An event held by The Shaw Rocket Fund in Canada and industry veteran Adina Pitt during MipTV has helped raise more than US$32,000 for a children's charity.
  • NBCU Telemundo appoints trio (Published in News) 19-04-2018
    NBCUniversal Telemundo Enterprises has appointed three executives to senior roles covering programming, finance, sales and business development.
  • YLE names MTV exec as CEO (Published in News) 19-04-2018
    Finnish public broadcaster YLE has appointed the editor-in-chief at local commercial broadcaster MTV as its new CEO.
  • Baring FAANGs (Published in Features) 17-04-2018
    As Facebook, Amazon, Apple, Netflix and Google step up their efforts to reach children, should the industry be welcoming, wary or worried?
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