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  • NRK – Norway (Published in Alerts) 20-03-2019
    SCHEDULE WATCH PROFILE: NRK drama chief Ivar Køhn discusses the pubcaster’s evolving drama strategy and current priorities.
  • Paramount Network – International (Published in Alerts) 19-03-2019
    SCHEDULE WATCH PROFILE: Paramount Network is revving up its scripted originals internationally this year as it consolidates its channels under one name.
  • Dream ticket (Published in Features) 15-03-2019
    Palladium Fiction's first youth-skewing drama looks set to open a new chapter for the production company behind Swedish thriller Jordskott.
  • TV4 – Sweden pt2 (Published in Alerts) 14-03-2019
    SCHEDULE WATCH ALERT: In the second of our two-part look at TV4 Group’s digital transformation, Gün Akyuz reports on the company’s scripted developments.
  • TV4 – Sweden pt1 (Published in Alerts) 14-03-2019
    SCHEDULE WATCH PROFILE: Sweden’s TV4 Group is reaping the rewards of its digital transformation. Gün Akyuz kicks off a two-part report by looking at the group’s unscripted developments.
  • Netflix – International (Published in Alerts) 12-03-2019
    SCHEDULE WATCH PROFILE: Netflix’s VP of originals Cindy Holland highlights Netflix’s international strategy and the importance of data.
  • Netflix – International (Published in Alerts) 27-02-2019
    SCHEDULE WATCH ALERT: Rodrigo Mazón, VP of content acquisitions for Latin America, Spain and Portugal, discusses Netflix’s evolving acquisitions strategy for the territories.
  • TV2 – Denmark (Published in Alerts) 25-02-2019
    SCHEDULE WATCH ALERT: TV2’s head of fiction Katrine Vogelsang highlights the strategy behind the network’s growing scripted slate and its upcoming priorities.
  • SVT – Sweden (Published in Alerts) 22-02-2019
    SCHEDULE WATCH ALERT: Drama chief Anna Croneman has begun to deliver on SVT’s promise to expand its range of projects.
  • Elisa Viihde – Finland (Published in Alerts) 19-02-2019
    SCHEDULE WATCH ALERT: Digital entertainment service Elisa Viihde is poised for major growth beyond its home turf, where it is already a big backer of original scripted fare.
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