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KOCCA: Korea Creative Content Agency - TV Shows

C21 DIGITAL SCREENINGS

KOCCA: Korea Creative Content Agency - TV Shows

Company overview

In the past 10 years, Korea Creative Content Agency has made broad, deep and diverse footsteps. From cartoons to webtoons, animations, characters, games, musical and fashion as well as dramas and k-pop that make people of the world alive, we strived to bring unique sentiment of our content at every corner of the globe.

We will continue to strive until Korea's creative content solidifies position in the global market.

Click here for KOCCA's Animation suite

Company contact

Address: 35 Gyoyuk-gil
Naju-si, Jeollanam-do
58326
Korea, South
Phone: +82-1566-1114
E-mail: [email protected]; [email protected]; [email protected]; [email protected]
http://www.kocca.kr

Programming Profile

Finding the next K-content hit

15-10-2020

South Korean governmental agency Korea Creative Content Agency (KOCCA), which oversees and coordinates the promotion of the Korean content industry, is this week showcasing new content from the country via C21 Digital Screenings, while general director Dohyoung Lee gives his analysis of the international boom in K-content.

 

Exports of South Korean television content have been on a steady upward curve ever since the early days of the Korean Wave almost 20 years ago, when dramas like KBS2’s 2002 hit Winter Sonata made such an impact on the global market.

 

Fast forward to today and more of the world is watching even more K-content. Just look at some of the biggest US shows in recent years. ABC’s adaptation of another KBS2 series, The Good Doctor, was the only global hit coming out of the 2017/18 season in the US. And on the unscripted side, the global success of talent show The Masked Singer has been a phenomenon over the past two years, following its debut on Fox in the US in 2019.

 

Dohyoung Lee, general director at the Broadcasting Division of KOCCA, is certain these two recent K-content hits have driven demand for more programming from South Korea.

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