Blue Ant Studios is an international production studio and rights business with offices in Toronto, Los Angeles, New York, Miami, London, Singapore and Sydney. The company’s diverse production slate spans scripted comedy and drama, unscripted entertainment, formats, high-impact documentaries, live-action kids + family, and animation. The studio is anchored in original storytelling, with award-winning series that include Blown Away (Netflix), Canada’s Drag Race (Crave), the scripted teen comedy series, Davey and Jonesie’s Locker (Hulu and Prime Video), Casey Anthony: Where the Truth Lies (Peacock), Drink Masters (Netflix), Race Against the Tide (CBC), The Kids in the Hall: Comedy Punks (Prime Video), 9/11 Kids (CBC), See No Evil (Investigation Discovery US), and the adult-animated series, Gary and His Demons (Prime Video, Amazon Freevee). The company’s recent feature-length documentary, Mr. Dressup: The Magic of Make-Believe (Prime Video), was awarded the Toronto International Film Festival’s People’s Choice Award for Best Documentary in 2023. Blue Ant Studios’ distribution arm has a vast catalogue of over 7,000 hours of premium programming from the studio and third-party, top-tier producers around the world. Blue Ant Studios is a subsidiary of the global media company, Blue Ant Media.
Diane Rankin and Lilla Hurst of Blue Ant Studios outline how collaboration and coproduction are increasingly central to the company’s agenda
Since its launch in 2011, Blue Ant Media has grown to become a major player in the global content business, active across production, distribution and channels. Through a combination of organic growth and acquisitions, it has established a leadership position in areas like factual, unscripted and FAST, with scripted slowly gaining momentum. There have been several notable traits that have enabled it to continue expanding in what has been a complex and fiercely competitive market. Producing great content is a given, but the firm has also retained a keen awareness of the importance of collaboration and customer focus. It has also been careful not to overreach in terms of content investment.
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