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  • RTL Klub – Hungary (Published in Alerts) 15-08-2018
    SCHEDULE WATCH CHANNEL PROFILE: RTL Klub remains Hungary’s top dog thanks to an aggressive original production strategy, despite intensified competition.
  • High 5 (Published in News) 01-08-2018
    Viacom’s investment in Channel 5 has yielded incremental audience returns as well as a shift in direction and scale of programming ambition.
  • UKTV’s virgin territory (Published in News) 27-07-2018
    The future ownership of BBC and Discovery joint venture UKTV may be up in the air, but a spat with Virgin means the multichannel network is off-air on cable.
  • S4C – Wales (Published in Alerts) 26-07-2018
    SCHEDULE WATCH ALERT: Welsh pubcaster S4C is on the hunt for more drama partnerships to boost its successful run of originals.
  • Hopster – International (Published in Alerts) 25-07-2018
    SCHEDULE WATCH PROFILE: On-demand preschool service Hopster has been ramping up its distribution partnerships and shortform originals.
  • Movistar+ – Spain (Published in Alerts) 20-07-2018
    SCHEDULE WATCH ALERT: Spain’s Movistar+ is growing its scripted originals remit beyond the country, with an eye on coproductions to feed its content pipeline.
  • Playz – Spain (Published in Alerts) 19-07-2018
    SCHEDULE WATCH PROFILE: RTVE’s fledgling online youth service Playz is vying to become one of Spain’s main platforms for a new generation of shortform creators.
  • Sony Pictures Television Networks – CEE (Published in Alerts) 17-07-2018
    SCHEDULE WATCH PROFILE: SPTN has been revving up its local production ambitions across Central and Eastern Europe, with room for some interesting partnerships.
  • Nickelodeon – Israel (Published in Alerts) 12-07-2018
    SCHEDULE WATCH CHANNEL PROFILE: Nickelodeon is mining a seam of successful locally originated shows via its Israeli partnership with Ananey.
  • Eesti Meedia – Estonia (Published in Alerts) 10-07-2018
    SCHEDULE WATCH ALERT: Eesti Meedia’s head of acquisitions flags up the group’s shift towards younger-leaning content and the value of total measurement in the battle to attract audiences.
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